This series deals with the deconstruction of iconic architecture, reducing the wholeness of the work to its most primary components without overlooking the origin of its reference. Through the rigorous use of abstraction, volume is fragmented into a group of elements: lines, vector, circles and angles which operate with mathematical precision, and meanwhile suggest a new perception of space. Each image transcends its documental register, proposing a new intervention in which architecture sheds its purpose to reemerge as a system of purely geometrical relationships.

Geometry is crossed by concepts such as dimensionality, balance and harmony, which refer to the habitability of spaces and relate to the rigor of classical engineering. As the golden section and euclidean geometry are applied, ruling principles of shape, the work recovers the guidelines that have sustained architecture since ancient Greece time. The playful interaction between light and shadow, and the juxtaposition of planes open a new dialogue between the parts and the whole of an architecture which, however deconstructed, does not overlook the inherent aspects of its original identity.